Sunday, April 30, 2017
My Current Palette
I've been using a variation of this palette for many years. From time to time, I switch out a color or two, just to shake things up, but it's always been a primaries palette, basically.
I have three variations of each of the primaries, plus white. I don't have any secondaries - I just mix them with this set of colors.
White - Titanium White. I like the opacity and the coolness of Titanium White. Nothing against other whites, but I got to know Titanium pretty well, and I don't have a problem with it so I haven't really had an incentive to get to know the others.
Blues - In the picture they all look pretty dark, but they are Ultramarine, Prussian Blue, and Payne's Gray. Ultramarine represents the violet-leaning blue, Prussian the green-leaning blue, and Payne's Gray the low chroma blue.
Yellows - Cadmium Lemon for my cool yellow, Cadmium Yellow Deep for my warm, and Yellow Ochre is my low chroma yellow.
Reds - Permanent Red is my warm red. It's a Cad Red Light alternative. It's much cheaper and does what I need it to do. Less toxic, too, which may be a plus, except I use other Cads so I don't have a leg to stand on. Alizarin Permanent is my cool red. I've been trying other cool reds like Venetian, Terra Rosa, Pompeii, etc. But haven't found one that works for what I'm looking for. So until I do, I'll keep using Alizarin. My low chroma Red is Transparent Oxide Red. every brand has a different name for this color and I most often use Transparent Earth Red from Gamblin. It's like Burnt Sienna, but transparent, more intense, and goes down cleaner when doing washes.
The palette itself is a shot of my 10 x 12 (?) Open Box M, which I love. I use a 16 x 20 surface in the studio, but in the field, I like my Open Box M if I'm traveling or if I have to hike to get to a spot. If I'm painting near my car, I use my Soltek or a half-box French easel so I can have a larger palette to work with (12 x 16).
Posted by Terry at 8:19 PM